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2003-12-03 | |
Today's horizontal business organizations and rapidly changing markets demand a new approach to leadership and coaching. Leaders must truly inspire, guide, and reward their team continuously. During any given day, leaders must call upon different skills and qualities to handle the tremendous variety of situations that arise. Adding to the challenge, as an organization evolves and grows, it requires different capabilities from its leaders. And, as Alan Axelrod beautifully wrote in his Elizabeth I CEO: âEffective leders put issues of
Letâs see if this is going to be demonstrate in the interview with Nick!
I know Nick Ularu for about 10 years. I had the opportunity to watch him working, creating and growing so many students into real professional artists. First, he was my set and stage design teacher for 5 years at the Fine Arts Academy in Bucharest. I remember him at that time as being so full with energy, with an extraordinary imagination and power to communicate all to us.
After one year of a great collaboration at the Union of Fine Artists, we've decided to create The ArtKid Foundation, a non-profit organization having as a major objective the education of young people through art. We worked again together in a team, organizing events, rising founds for the children in orphanages, and many other community actions.
In addition of working as theatre designer in Romania, Ireland, UK, Sweden, Germany and USA, all those years Nick was teaching at the Arts University and at the National University for Film and Theater. He was elected and served for four years as a member of the Board of the European League of the Institutes of the Arts-ELIA a prestigious organization, based in The Netherlands, which runs the activities and exchange programs of more than three hundred art educational institutions in the fields of Theatre, Dance, Music, Fine Arts and Architecture all over the Europe.
The quality of the projects he proposed is in a perfect harmony with its feasibility. I believe his good business skills and pleasant personality have helped grow all the organization he was involved in. And the strangest fact is that he handles all those different kind of jobs with the same elegance and natural ability, even though he never took courses of management or marketing! I can say that he is a real leader, a natural born one.
After a year of teaching at the National Theatre School of Denmark in Copenhagen, Nick moved to United States were heâs teaching and designing for some years. Currently, he is the Head of the MFA Design Program at the University of South Carolina, Columbia. He designed sets or costumes in New York, Boston,
Phoennix, AZ, Minneapolis, etc.
His most recent design project for the new music theater
Because I am still considering him as my mentor, and I fell like having so much to learn from him, I was so happy being here as well, having the opportunity to talk to him about his work and everything else. He is so restless, being involved in so many things all the time, so it's not an easy job to catch him even through Internet! But I was lucky, and here you have him speaking about, let's see, for the beginning:
Nick, if you were in my shoes, with this interview, what would be the first question that you'll put to yourself?
N: I wish to be in your shoesâŚ I will be young, energetic and talented as you are. Anyway, I will put the same question I am putting always to myself, specially when I am in difficult situations: Why are you spending your energies in organizing / making things happen, challenging yourself and the others around you â in stead of doing only your art and live a more peaceful life?
Me: I kind of hear about a few of all those activities of yours, because your reputation is following you all over the worldâŚ
N: I think everybody who wants to pursue a successful career, specially in the arts, have to consider himself/herself a world citizen from the beginning I think one of the most dangerous notions in the contemporary society is the provincialism. I was trying always to keep my Romanian roots but I felt always the need to connect myself to what's happen in the world. If you like or not the globalization concept, in the nowadays society one cannot live isolated. I can understand the fears of loosing the identity but due to the development of the technology and information it is practically impossible to ignore some of the advantages of the scary globalization.
Me: But now, because we got together again here, in this amazing and âI might say- unbelievable country as USA, letâs talk a little about your experience here, first. Then, because I know that you are teacher and a set designer in the same time, maybe you can tell me how can you handle this.
N: I had a cultural choke in my first six months in the USA It is hard to accept that the American administration doesn't subsidize the arts as the majority of the European governments do, specially because the USA is the most developed country in the world. It is amazing to see an artist as Robert Wilson doing his experimental projects in Europe, with European money, with budgets one cannot dream to have here in the USA outside of entertainment industry, and coming to present these performances in the USA. Speaking about evil, it is still hard for me to associate the concept of industry with the concept of arts, like the film industry or entertainment industry (which unfortunately includes theatre, at least Broadway). I was wondering always if directors like Fellini or Bergman would exist or survive as artists in the American film industry, and how their films will look like. Thanks God, the American art survive based on the private sponsorship and on the artists ambitions and frustrations.
Me: I know that you are teacher and a set designer in the same time, maybe you can tell me how can you handle this. I mean, is your career as a teacher helping the artistic side?
N: To be honest it was more easy to handle this in Europe. My career as a teacher is occupying almost all my time over the academic year. It is frustrating to refuse some of the project proposals just because I don't have the physical time to do it. But this was always a major problem for me. I think I need more lives to do what I want *or at least days of 36- 48 hours. I like teaching because I have the feeling that keeps me young...
Me: Do you feel that your students are going to become your followers? What is your teaching technique, basically? Is it just listen to me, and do that or (the one that I've get myself from you) the far more difficult let's see what you have to say about the issue?
Me: What about the teamwork both in classes and at the theatre- is something different from other countries, in term of relationship between the members?
N: The teamwork is crucial in the theatre. One cannot do theatre without collaboration and discipline. What about actors coming late to the performances they are involved in? What about not having the costumes or sets in time? Every aspect of the theatre production is as important as the entire production. We can easily transgress this to a teamwork. Actually I will suggest theatre classes / notions to any business school.
Me: How do you see yourself as a leader? Do you think that this should be a natural ability, or something you can learn in time? What is your greatest quality as a leader? When and how did you realize that about yourself?
N: I've been in this position for some many years at different levels and I can say by my experience that the leadership is not for everybody. Actually I think that the worst work situations are created by the people who have the power but are not leaders. You can find a lot of books teaching you to improve your sexual life, to become a millionaire, to become a leader or to loose 20 pounds by night .but how many people become millionaires by reading those books ? I truly believe that you can learn a lot of tricks in how to deal with people /situations but a really leader is born not made from books. Speaking about myself I think one of the qualities I tried to improve / developed in time is to see the situation I am dealing with, from different perspectives. As much as I'm getting older as much I begun to be less radical in my opinions.
Me: It is a theory, saying: (the creating of a restless dissatisfaction) âno matter how well people are doing, they can do betterâ.
N: Yes, I still think that in order to get further and create something, it doesn't matter what, you have to evaluate where you are, what are your week points, what you have to achieve, etc.. It is not necessary to pass through a crisis situation or to hit the bottom, it is necessary to understand your potential, even if you like it or not, and to keep a positive / constructive attitude.
Me: What do you hate the most when working in a team and why?
N: I hate people who are spending their energies in trying hard to don't do what they are supposed to do in the team. I don't like the people who just exist, who don't dream, who have a cynical attitude* Why ? Because the life is short and if you want to spend it stupidly, you don't have to oblige the others to do the same thing.
Me: Of course, I would have at least another 100 questions for you... But I know you are a very busy person (as a true leader, you suppose to be!). So, I thank you very much for your time and great answers you share with me. It was a pleasure, as usual! Now, if you have something to say as a final advice to everybody who intends to be a leader soneisay, Iâll be much obliged to add it as a final statement of this interview.
N: Once again there are not recippies to became a leader; but you have to: