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■ The oak
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I am going to describe my lover
in the most ordinary way look: she appeared from nowhere exactly when I started to see the world as an ethernal field hospital suddenly she came like a lightening on the steamy snow of march in the eyes of a surprised child look: my thought has been ill from mistrust my hands deeply resigned cannot tell anything about heart she’s not beautiful she’s not ugly she’s not short and not tall she does not obey to any attribute she obeys all of the attributes she is of a special kind: all the swallows of summer are crossing her eyes her hair is as I fancy there would have been the shivering nights of sheherazade her mouth the voluptuous and fragrant cradle of the smile her words come from beyond being as an echo of imagination oh, I tend to ask: "who is that who appears like daybreak misterious like the moon shiny like the sun but dreadful like armies under their flags" and I tend to say: my lover, sealed fountain for my thirst of immortality you are like the wind you can feel it caressing your cheek but you can never squeeze it in your arms you are like night sleep in her arms but always only in that moment when you step into the narcosis of dream you are like nard an only presumed fragrance this is the poem addressed to my lover that I wrote amazed by this event: she is rarely coming, descending from the nights of her hair like a hindi woman from a magic temple she is coming belating the seconds and goes hauling soft paths of leaves behind any knight of the castle steals one of david’s psalms to secretly dedicate it to her she absently listens, turned into herself as a monastery of pain she comes from nowhere and goes to nowhere by shays of night her breast empties the air of sounds... everytime one of her shoes remains in the castle nobody has the courage to take it she comes and goes her being is a forbidden desire this is my lover and nobody really knows who she is
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